FRAMING
Fine Art Framing
Each frame is selected to complement the artwork without competing with it. Options include Tasmanian Oak, Rosewood, limewashed Tasmanian Oak, and white composite, with white-border and borderless presentations available across selected styles.
Tasmanian Oak + White Border
Light, natural Tasmanian Oak is paired with a clean white border for a bright and balanced presentation. The border creates visual separation between the artwork and timber, while the subtle grain and warm colouring suit minimalist, coastal, and contemporary interiors.
Tasmanian Oak [No Border]
The artwork extends directly to the frame without a white border, creating a larger and more immediate presentation. Tasmanian Oak adds natural warmth without overpowering the image, making this option well suited to clean, modern, and understated interiors.
Rosewood + White Border
The deep colour and pronounced grain of Rosewood are balanced by a crisp white border. This creates a clear transition between the artwork and frame, giving the presentation greater contrast while retaining the warmth and character of natural timber.
Rosewood Frame [No Border]
Without a white border, the artwork sits directly against the rich tones of the Rosewood frame. This produces a stronger, more immersive presentation, with the darker timber adding contrast and visual weight around the image.
Limewash + White Border
A limewash finish softens the natural colour and grain of Tasmanian Oak, creating a lighter and more neutral appearance. Paired with a white border, this option offers a clean presentation suited to coastal, relaxed, and contemporary interiors.
Composite + White Border
The white composite frame has a smooth, consistent finish without visible timber grain. Combined with a white border, it creates a crisp, uniform presentation that keeps attention on the artwork and integrates easily into modern or minimalist interiors.
Splines
Traditional Timber Joinery
Each timber frame is reinforced at the mitred corners with timber splines. This traditional joinery strengthens the frame while adding a subtle handcrafted detail to its construction.
Protection and Presentation
Glazing
Most artworks are glazed with Tru Vue UltraVue UV70 Glass, selected for its exceptional clarity, anti-reflective surface, and up to 70% UV protection. Exceptionally oversized works use Tru Vue Optium Museum Acrylic, a lightweight, shatter-resistant alternative offering anti-reflective clarity and up to 99% UV protection.
Mounting and Hanging
Each print is mounted to a rigid aluminium composite panel, with white spacers, internal bracing, and protective backing completing the construction for a clean, stable presentation. A heavy-duty split-batten hanging system is fitted as standard, keeping the artwork secure, level, and flush against the wall.
